No Manifesto Pau-Brasil de 1924, afirma-se que o processo de criação artístico brasileiro contava com dois fatores favoráveis: "a base dupla e presente – a floresta e a escola".
O modernismo brasileiro procurava inspiração artística nos mitos dos povos da floresta, de que são exemplos os livros.
Questões relacionadas
- Inglês - Fundamental | 04. Aprendendo a Contar em Inglês
The telephone number of Daisy’s family is
- Ciências - Fundamental | 03. O solo e os seres vivos
A terra é um dos recursos naturais mais importantes do nosso planeta e é fundamental para a sobrevivência de todas as formas de vida. Existem diversos tipos de solo, cada um com suas particularidades e características únicas. Um dos tipos mais comuns de solo é conhecido por sua alta concentração de nutrientes e grande fertilidade, sendo muito utilizado na agricultura e na jardinagem.
Qual é o nome deste tipo de solo?
- História | 5.1 Expansão Marítima
[1] Em 2017, completam-se 500 anos desde que o alemão
Martinho Lutero (1483-1546) desencadeou uma revolução
religiosa. A jornalista Miriam Leitão, filha de um pastor
[4] presbiteriano, escreveu: “Como em toda revolução, o ato inicial
da Reforma Protestante foi feito sem que o padre e professor
Martinho Lutero tivesse a noção da dimensão das
[7] transformações das quais aquele momento seria o marco
inaugural. Ele queria o debate. E, por isso, afixou suas 95 teses
na porta da Igreja de Wittenberg, em um texto em que
[10] convidava quem não pudesse estar presente a apresentar suas
ideias por escrito. Suas teses eram curtas, mas profundas.
Como a de número 76: ‘As indulgências papais não podem
[13] anular sequer o menor dos pecados veniais’. Foi o começo do
fim de uma era.”.
O Globo, 1.o/1/2017, p. 13 (com adaptações).
Considerando o trecho de texto precedente, julgue o item.
A Reforma Protestante ocorreu em um contexto em que vários acontecimentos refletiam as transformações pelas quais passava a Europa na transição do medievo para a Idade Moderna. Esses fatos históricos incluem
- Matemática | 15.2 Reta
(ITA) Se a reta de equação x = a divide o quadrilátero cujos vértices são (0,1), (2,0), (4,0) e (6,4) em duas regiões da mesma área, então o valor de a é igual a:
- Língua Inglesa | 1. Interpretação de Textos
Happiness
It was almost nightfall. The whole day: rain, torrents of rain. Drenched to the bone, I arrived in a
little Calabrian village. I had to find a hearth where I could dry out, a corner where I could sleep.
The streets were deserted, the doors bolted. The dogs were the only ones to scent the stranger’s
breath; they began to bark from within the courtyards. The peasants in this region are wild and
[5] misanthropic, suspicious of strangers. I hesitated at every door, extended my hand, but did not
dare to knock.
O for my late grandfather in Crete!, who took his lantern each evening and made the rounds of
the village to see if any stranger had come. He would take him home, feed him, give him a bed for
the night, and then in the morning see him off with a cup of wine and a slice of bread. Here in the
[10] Calabrian villages there were no such grandfathers.
Suddenly I saw an open door at the edge of the village. Inclining my head, I looked in: a murky
corridor with a lighted fire at the far end and an old lady bent over it. She seemed to be cooking.
I crossed the threshold and entered. I reached the fire and sat down on a stool which I found in
front of the hearth. The old lady was squatting on another stool, stirring the meal with a wooden
[15] spoon. I felt that she eyed me rapidly, without turning. But she said nothing. Taking off my jacket,
I began to dry it. I sensed happiness rising in me like warmth, from my feet to my shins, my thighs,
my breast. Hungrily, avidly, I breathed in the delicious smell of the steam rising from the pot.
Once more I realized to what an extent earthly happiness is made to the measure of man. It is not
a rare bird which we must pursue at one moment in heaven, at the next in our minds. Happiness
[20] is a domestic bird in our own courtyards.
As soon as we finished, she prepared a bed for me on a bench to the right of the table. I lay down,
and she lay down on the other bench opposite me. Outside the rain was falling by the bucketful.
For a considerable time I heard the water cackle on the roof, mixed with the old lady’s calm, quiet
breathing. She must have been tired, for she fell asleep the moment she inclined her head. Little
[25] by little, with the rain and the old lady’s respiration, I too slipped into sleep. When I awoke, I saw
daylight peering through the cracks in the door.
The old lady had already risen and placed a saucepan on the fire to prepare the morning milk.
I looked at her now in the sparse daylight. Shriveled and hump, she could fit into the palm of
your hand. Her legs were so swollen that she had to stop at every step and catch her breath.
[30] But her eyes, only her large, pitch-black eyes, gleamed with youthful, unaging brilliance. How
beautiful she must have been in her youth, I thought to myself, cursing man’s fate, his inevitable
deterioration. Sitting down opposite each other again, we drank the milk. Then I rose and slung
my carpetbag over my shoulder. I took out my wallet, but the old lady colored deeply.
“No, no,” she murmured, extending her hand.
[35] As I looked at her in astonishment, the whole of her wrinkled face suddenly gleamed.
“Goodbye, and God bless you,” she said. “May the Lord repay you for the good you’ve done me.
Since my husband died I’ve never slept so well.”
NIKOS KAZANTZAKIS* http://grammar.about.com
According to some authors, a memoir is how one remembers one’s own life; an autobiography is history, requiring research, dates and facts.
In relation to the author’s life, the text Happiness can be characterized as a memoir especially because of the presence of: