A proposta para esta atividade será criar imagens mesclando as linguagens da fotografia e do desenho. O desenho é uma linguagem muito antiga e a fotografia, mais recente. Essa mistura pode ser muito divertida!

• O professor vai apresentar para os alunos o artista belga Bem Heine.
• Disponível: http://lounge.obviousmag.org/entre_artes/2014/10/lapis-vs-camera-realidade-e-desenho-misturados-na-imaginacao-de-ben-heine.html
• https://en.wikipedia.org/wiki/Ben_Heine
• Mostrar algumas imagens de seus trabalhos.
• Disponível: https://www.designerd.com.br/lapis-versus-camera-um-criativo-projeto-de-ben-heine/

Fonte: https://www.designerd.com.br/lapis-versus-camera-um-criativo-projeto-de-ben-heine/

• O professor vai  distribuir as revistas e pedir aos alunos para escolher uma fotografia bem  legal. Tem que ser uma gravura inteira, sem cortes.
• Os  alunos deverão fazer interferências na fotografia escolhida.
• Pedir aos alunos para que, depois de observar a fotografia escolhida, fazer um desenho, modificando a imagem ou reproduzindo parte dela.
• O professor vai pedir aos alunos para colar a imagem escolhida na folha de papel canson e inserir sobre ela o desenho feito.
• Expor os trabalhos

: Leia a charge e responda  

Enunciado:

Explique a ameaça feita pelo homem na tira.

O romance Animal Farm (“A revolução dos bichos”), de George Orwell, se passa numa fazenda onde animais, liderados pelo porco Old Major, decidem fazer uma revolução. São apresentados abaixo dois trechos do romance: o primeiro, de sua parte inicial, quando a fazenda ainda é administrada por Mr. Jones; o segundo, de sua parte final, quando passa a ser controlada pelos animais.

PART 1

Word had gone round during the day that Old Major (…) had had a strange dream on the previous night and wished to communicate it to the other animals. It had been agreed that they should allmeet in the big barn as soon as Mr. Jones was safely out of the way.

(…) When Major saw that they had all made themselves comfortable and were waiting attentively,

[5] he cleared his throat and began: “Now comrades, what is the nature of this life of ours? Let us faceit: our lives are miserable, laborious, and short. (…) Why then do we continue in this miserablecondition? Because nearly the whole of the produce of our labour is stolen from us by humanbeings. There, comrades, is the answer to all our problems. It is summed up in a single word: Man.Man is the only real enemy we have. Remove Man from the scene, and the root cause of hunger and[10] overwork is abolished forever. Man is the only creature that consumes without producing. He doesnot give milk, he does not lay eggs (…), yet he is lord of all the animals. (…) Is it not crystal clear,then, comrades, that all the evils of this life of ours spring from the tyranny of human beings? Onlyget rid of Man, and the produce of our labour would be our own. (…) That is my message to you,comrades: Rebellion!”

PART 2

[15] Years passed. The seasons came and went, the short animal lives fled by. A time came when there was no one who remembered the old days before the Rebellion (...).

Somehow it seemed as though the farm had grown richer without making the animals themselves any richer − except, of course, for the pigs and the dogs. (...) It was not that these creatures didnot work, after their fashion. There was, as Squealer* was never tired of explaining, endless work[20] in the supervision and organization of the farm. Much of this work was of a kind that the otheranimals were too ignorant to understand. For example, Squealer told them that the pigs had toexpend enormous labours every day upon mysterious things called “files”, “reports”, “minutes” and“memoranda”. These were large sheets of paper which had to be closely covered with writing, andas soon as they were so covered, they were burnt in the furnace. This was of the highest importance[25] for the welfare of the farm, Squealer said. But still, neither pigs nor dogs produced any food by theirown labour; and there were very many of them, and their appetites were always good. As for theothers, their life, so far as they knew, was as it had always been. They were generally hungry, theyslept on straw, they drank from the pool, they laboured in the fields. (…)

And yet the animals never gave up hope. More, they never lost, even for an instant, their sense of [30] honour and privilege in being members of Animal Farm. They were still the only farm in the wholecounty — in all England! — owned and operated by animals. (…)

* Squealer is the name of a pig.

George Orwell Animal Farm. Londres: Longman, 1945

The first paragraph contains three clauses in the Past Perfect.

In these clauses, this verb tense refers to actions that can be described as:

Leia o segmento de notícia abaixo.

Antes de chegar à Cidade Um*, o rio Tietê passa pela região metropolitana de São Paulo e recebe esgoto e poluentes químicos. Na margem há sujeira de todo o tipo e os moradores lamentam que a água tão poluída não consiga ser reaproveitada. Se fosse limpa, a água poderia ser captada e resolveria o problema de abastecimento do município em outras regiões ao longo do rio.

Em Cidade Dois*, a pouco mais de 400 quilômetros de Cidade Um*, a realidade é bem diferente. O rio Tietê não é poluído – ao contrário, é o trecho mais limpo do estado de São Paulo. São 58 km de extensão e a cidade foi a primeira não ribeirinha a captar água do Tietê para abastecimento público. Hoje, 55 mil moradores recebem na torneira de casa a água retirada diretamente do rio.

* os nomes das cidades foram substituídos

Disponível em: <http://g1.globo.com/sao-paulo/sorocaba-jundiai/noticia/2014/08/poluicao-impede-uso-do-rio-tiete-para-amenizar-falta-dagua-em-itu.html>. Acesso em: ago. 2014. Adaptado.

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